Skribe

Skribe

Megan Jean and The Klay Family Band, Swampcandy

Fri, May 26, 2017

Doors: 8:00 pm / Show: 9:00 pm

$15.00

This event is 18 and over

Skribe
Skribe
Skribe plays an oil can called a canjo-zookie. It’s an eight-string guitar with a biting, blues-y rasp. Skribe’s got the voice (and the old-school Cadillac) to match. Accompanying himself on the suitcase-kick and hi-hat, Skribe’s “M.I.Y.” is a barn-burning roots number.

- Ben Naddaff-Hafrey NPR


If Chris Stapleton can find a way to win four CMA Awards in 2015, then maybe there’s hope that the country community will be smart and adopt SKRIBE and his oil-can “canjo-zookie” too. With gauged ears and a suitcase for a kick-drum, he’s exactly the kind of phoenix a burning-alive country industry needs right now.

-Bryce Rudow Editor in Chief at Random Nerds

2016 Rammie Award - Best Opening Act - Rams Head Onstage
Megan Jean and The Klay Family Band
Megan Jean and The Klay Family Band
Megan Jean and the KFB, or Klay Family Band, arrange a demented blend of americana, punk, dance, and the avant-garde that they've taken to describing as, "a metal band, if it was 1927."

Inventive percussion, electrified banjo, and a voice like the Devil Herself have earned Megan Jean and the KFB a dedicated following all over the East Coast. Calling the road home on a “never-ending tour,” this transient married duo has taken their nomadic musical lifestyle and transformed it into a kind of Voodoo that unites scenes, fans, and musical styles. This is a band that lives to perform, and is fueled by sheer guts and know how.

In April of 2012, the band was featured on PBS performing their original composition “These Bones” as part of a music documentary series Music Voyager, which broadcast internationally.

In July of 2012 they were named the winners of the “Under The Radar Competition” at FloydFest in Floyd VA, which earned them a spot on the main stage in 2013. They have shared the stage with Shovels and Rope, Hurray for the Riff Raff, and Rising Appalachia. On March 1st of 2013, the duo released their 2nd full-length album, The Devil Herself, recorded at the Jam Room in Columbia, SC, and is currently recording their third album entirely analogue.
Swampcandy
Swampcandy
Swampcandy is an internationally touring, primitive blues influenced Americana duo. Ruben Dobbs' aggressive finger-picking and rhythmic style (which often adds up to sounding like more than one guitar) combined with Joey Mitchell's bass playing, pounding kick drum and percussive bass throttling (representing the presence of a full drum kit) easily fill up the sonic space normally created by a trio or even a four-piece. Dobbs' soulful, passionate vocals are the glue that holds it all together and makes the band tick.

The band was founded by Dobbs in 2007 and functioned with various lineups until he teamed up with Joey Mitchell in 2010 and the permanent die was cast. After only a few months together, the duo began to tour aggressively and have not slowed down since. Whether its a 20-minute opening slot or a three-hour headlining gig they give 110% in every performance, leaving the stage exhausted and crowd satisfied.

Dobbs is a volatile creative force while Mitchell is a pragmatic technician. They balance each other out like the two hemispheres of one brain. Growing up they both enjoyed and played the music of their respective generations and found a deep affection for the music of the past; Ruben with Delta blues and Joey with jazz and classical. Dobbs has studied music on a need-to-know basis from an early age, becoming enamored with classic rock while still in grade school. Always careful not to destroy the sonic mystery music has represented to him, his curiosity led him down the family tree to rock's roots in Mississippi Delta Blues and the greats who played it. Mitchell's musical journey began upon hearing the opening bass line to Alice in Chains' "Would." The song inspired him to work it out on an old guitar he found in the attic, eventually leading him to pick up the bass at the relatively late age of 16. Focusing his attention on learning all he could to become the master of his craft, he has become a university schooled academician with degrees in performance and music education. Dobbs aural home-schooling has encompassed listening to thousands of hours of field recordings of early American music, developing a rare level of knowledge about the true roots of multiple genres. In distilling the essence of nearly undecipherable songs and incorporating that authenticity into his own compositions he's writing new chapters in the history of roots music that inextricably link the past, present and future. Mitchell has spent thousands of hours studying complex music theory and composition, practicing the ins and outs of his double bass while reinventing the percussive aspects that can be delivered between his primary instrument and his kick drum. These juxtapositions are the key to their success.

Building on the strength of their 2014 double album, Midnight Creep/Noonday Stomp, which placed in NBT Music Radio's Top 150 Albums of 2014, and the track "1000 Miles" placed in the Top Singles category, their 2015 release, Land, garnered substantial airplay from blues stations and syndicated radio shows across the US, UK and Europe. 2015 proved to be their most productive and rewarding year to date as they set a new high bar for themselves, playing a staggering 250 live dates at venues and festivals across the US and UK (their sixth month-long tour across the pond) including four performances to capacity crowds at the 2015 Floydfest. (The band won the 2014 Floydfest 'On The Rise' competition, coming in first place out of 37 bands competing at the festival.)

2016 sees Swampcandy aggressively touring, as is their way, but this year also sees the band expand sonically. Select shows will feature auxiliary members Dominic Fragman, on drums, rhythm and/or lead guitar and vocals - SIMULTANEOUSLY, and the equally multi-tasking lead/back-up vocal/keyboard/percussionist Gina Cottey add completely new dimensions to the sound. Their collective goal is to leave the audience with the feeling they have experienced a short festival rather than seeing a band play a great show. Also, beginning in August 2016, the band will release one new song a month digitally for approximately a year.

That's why and how Swampcandy makes that dirty, sweet music that cuts straight to the bone.
Venue Information:
Metro Gallery
1700 North Charles Street
Baltimore, MD, 21201
http://themetrogallery.net/